Nursery Stories

A key relationship for any garden designer is that with a trusted and reliable nursery.  Plant supply is a dark art, subject to its own seasonal oscillations that are sometimes at odds with what is going on in the garden year, and the advice and support of talented and knowledgeable plantspeople who are also able to supply healthy stock can make the difference between a successful scheme and one which is merely acceptable.

Orchard Dene Nursery near Henley on Thames in Oxfordshire, run by Chris and Toby Marchant is one such.  This is not a retail nursery - stock is grown for wholesale supply to designers and landscapers, including those at the top of the field in the UK.  Calling in on any particular day you are likely to see plant orders assembled for the likes of Andy Sturgeon, Tom Stuart-Smith and Anthony Paul - a roll call of the notable names in our profession. 

It's no surprise that these people come here for their plants - the quality and range is terrific, with every plant on the list 'road-tested' for its garden-worthiness and contribution to a planting.  Chris and Toby have built an enviable reputation for quality and regularly supply plants for the most demanding arena of all, the show gardens, putting their wares under the scrutiny of the harshest judges in the horticultural world.  The plants I used in my own garden, supplied mainly in 9cm pots, have grown away brilliantly this season - it is hard to believe that the planting was only a few weeks old when I photographed it for my website.

The list is particularly strong on plants and groups popular in the 'New Perennial' school of plant design - large, robust perennials with good form and habit that could easily have come from the wild.  Improved forms rarely stray too far from this ideal - overbred plants with their attendant problems don't seem to feature here.  There is a good selection of grasses, particularly varieties of Miscanthus, to go with Persicaria, Salvia, Eupatorium, Helenium and Rudbeckia, amongst many others.  The catalogue also offers great advice on plant combinations, more than one of which has found its way into my garden.

If you live too far distant to make use of Orchard Dene then hopefully you will have an equivalent nearby - the world of horticulture is full of talented, committed and helpful people, ready and willing to assist.

Paul Ridley Design

Planting with Style

 

In a garden designed by Christopher Bradley-Hole in south Oxfordshire, sweeps of naturalistic planting merge together to form a plausible community of wild plants - plausible, but not genuine, and certainly not wild.

The planting is beautiful, however. Here, Bradley-Hole has employed his grid system, with square beds of perhaps four metre dimension separated by gravel paths. The planting is so dense that the pathways become visible only when you are looking directly along them, and each square of the grid echoes its neighbours in the choice of plants. Dynamism and variety are introduced almost mathematically - the proportions of each type of plant change with each bed, and select additions subtly bring new colours or forms to the overall pattern.

Elsewhere in the garden, a fringe of massed grasses and huge Persicarias along the boundary picks up the theme of these plants which runs through the planting as a whole, and a mown circle of grass allows for rough-grass planting of spring bulbs around its perimeter. The terrace, raised above the level of the garden, is fringed by a tall bank bearing swathes of different Persicarias and more grasses - looking at this head on gives the impression of a huge pointillist screen, ranged in colours of rust, plum and tawny yellow.

Some find this pattern of planting somewhat 'spotty' - too many small groupings of plants (often in fact single plants) creating, for them, a hectic mess of plant material.  This is highly skilled design, however - although the plantings cannot be read easily at distance, closer inspection reveals the rhythm built through repeated forms, closely-related varieties of the same plant and the same colours, appearing in the foliage and flowers of completely different species.  I find the style deeply satisfying - a creative response to the environment that suggests wild places and natural communities of plants through highly knowledgeable design.

Paul Ridley Design

Summer Planting

As summer progresses into August in the Northern hemisphere, light quality changes - by the end of the month the sun is lower in the sky, and afternoon light is tipped towards the red end of the spectrum.  This is the most evocative time of year for me - grasses, seedheads of earlier-flowering perennials and the drumsticks of spent alliums are all ripening, and the tone of the colours softens.  The plants that are still doing their thing may have gloriously coloured and vibrant flowers, but with a gently fading background and less strident lighting these accents are not the eye-popping additions that they might have been a month or two earlier.  We are at the cusp of autumn, and as large numbers of plants fade away, the performers that are really hitting their stride become increasingly valuable.

Many umbellifers (now grouped in the Apiaceae) shine at this time of year - fennels, dill, angelica  and the rest invariably stand well through autumn, and even into winter, their skeletons gradually leached of colour and the seeds eventually released and dispersed.  The heleniums, or sneezeweeds, contribute their mixed warm palette for months - the buttery yellows through to velvety mahogany shades in the petals, via burnt orange mean that there is something in the family for almost any situation.  To extend their season I am experimenting next year with the 'Chelsea chop' - by taking a third off the tops of these plants in May I hope to push the flowering back to August, and reckon that if I do this for a third of the plants I will also get some valuable shorter, sturdier specimens to support those plants that escape the shears.

Eryngiums and thistly plants are all in full swing at present (see my earlier post) and Dahlias are beginning to have an impact in mixed borders.  Plant dahlias with dark foliage and you won't go far wrong .  Crocosmias, with a similar colour range to the heleniums, offer a valuable option for partially-shaded sites, or an interesting contrast of foliage and habit if mixed in with the sneezeweeds.  My all-time favourite is Crocosmia 'Emily McKenzie' - petals in two shades of rich orange, with a purply-tobacco shaded throat.

Many herbs continue well into August - ornamental marjorams (Origanum) are good value, especially O. laevigatum 'Herrenhausen' with its glaucous foliage and clusters of purply-pink flowers.

The best thing about all these plants?  They are crowded with masses of insects at this time of year, so the garden is alive with sound, movement and interest.

Paul Ridley Design

Spiky Plants

I love the drama of big spiky plants.  As the summer moves to its later stages, the many garden plants that have a thistly habit reach their peak, and their jagged outlines and often grey-silvery colouring are a good antidote to the mounds and cushions of more vibrantly coloured perennials.

Some varieties are perennial - the globe thistles (Echinops), artichokes (Cynara) and bear's breeches (Acanthus) are among these, but some of the most eye-catching are biennials which, having spent a year looking decidedly underwhelming suddenly sprout into amazing Gothic candelabra.  The Scotch Thistle (Onopordum acanthium) is one such - eight feet tall, with felted white leaves in huge sheaves around its winged stem, it branches wildly to bear tomato-sized thistle heads of blue-purple.  It is invaluable as an accent in larger schemes, but give it room - the leaves make uncomfortable close-quarters partners in small spaces.  Once you plant it you have it forever - it self-seeds like crazy.

One family of garden-worthy plants has a wide range of forms that run from something the size of the Onopordum down to much less threatening two-footers.  The eryngiums, or sea hollies do have some perennials among their number, such as the stately E.pandanifolium (widely branched flower stalks to about seven feet, with, in the dark Chelsea Physic Garden form, rusty claret buttons at the ends) - the most elaborately formed flowers belong, however, to the biennial Eryngium giganteum, commonly known as Miss Wilmott's Ghost. 

Green in bud, the whole plant reaches its peak in a blaze of silver, the extravagantly jagged ruff to each flower veined with pale buff as it dries.  The blue flowers are loved by insects, including wasps, and once they are over the plant decays beautifully, holding its structure throughout the winter, the deeply cut and thorny flower heads never better than when frosted on a sunny morning.  The story goes that the Edwardian plantswoman and gardener Ellen Wilmott surreptitiously introduced this, her favourite plant, to other gardens by sprinkling the seed as she visited.  Like the Onopordum it is a vigorous self-seeder, favouring hot situations and gravelly soil.  Besides the species, there is a selected form with even more flamboyant costume, E.g. 'Silver Ghost', but either plant will reward you with a glamorous late-summer display to set against daylilies and grasses, with which they associate particularly well.

Paul Ridley Design